Eolomea
Todd from Die Danger Die Die Kill is responsible for many of the best reviews on Teleport City, including reviews of two East German science fiction films produced by DEFA. […]
Todd from Die Danger Die Die Kill is responsible for many of the best reviews on Teleport City, including reviews of two East German science fiction films produced by DEFA. […]
Surrounded as we are in 2009 by big budget movies that seem so cynical and treat their audience with an air of contempt, a movie like Korkusuz comes as a welcome reminder of a time when a movie just wanted to show you a good time.
Compared to the appellations given to the protagonists of other 1980s action films, the Stabilizer sounds pretty benign. You’d think he was given that name only because the others were taken.
Peter O’Brian was working in Jakarta for a while as an English teacher and was boarding a plane one day when a couple film producers approached him with an offer to do some movies.
So, yes, if you’ve seen a James Bond movie, you know exactly what tropes Altin Cocuk holds in store. But the film nonetheless offers distinct pleasures in the course of watching them unfold.
For anyone who ever watched Indiana Jones and the Temple of Doom and was disappointed that, for all its over-the-top absurdities, it didn’t feature a scene where Harrison Ford punches a midget and makes him fly across a field, then Naksha is the movie for you.
Bad-ass kungfu guy versus midgets and leopard men, with a jet pack and a purple sportscar and a cool looking track suit thrown in for good measure, is going to provide at least some modicum of entertainment.
It was inevitable, perhaps, that Cuneyt Arkin would one day cross paths with Bolo Yeung — even if it was only in the editing room of notorious hack movie makers Godfrey Ho and Thomas Tang
The only reason I can’t call Vahsi Kan the quintessential Inanc-Arkin action film is because pretty much every film they made together was the quintessential Inanc-Arkin action film.
This is the rare film that is so poorly made, so absolutely weird, that it becomes a form of outsider art. Centuries from now, future generations will discover this VHS tape as they mine old landfills for relics of the past, and they will not need to ask themselves any further why 21st century man faded from this realm.