For anyone who ever watched Indiana Jones and the Temple of Doom and was disappointed that, for all its over-the-top absurdities, it didn’t feature a scene where Harrison Ford punches a midget and makes him fly across a field, then Naksha is the movie for you.
Bad-ass kungfu guy versus midgets and leopard men, with a jet pack and a purple sportscar and a cool looking track suit thrown in for good measure, is going to provide at least some modicum of entertainment.
It was inevitable, perhaps, that Cuneyt Arkin would one day cross paths with Bolo Yeung — even if it was only in the editing room of notorious hack movie makers Godfrey Ho and Thomas Tang
As much as I love the outlandish bits, Katilon Ke Kaatil is ultimately kind of a let-down. There is too much uninteresting filler, and Zeenat is completely wasted in a do-nothing role that is beneath her talents. I have plenty of tolerance for slapdash Bollywood action films, but even I was toying with the fast forward button for part of this.
I didn’t know if Noboru had it in him to make a ‘real’ movie. But he really nails it with Karate Robo Zaborgar. The story is funny and surprisingly faithful to the spirit of the original material
I think that most people would think that a movie with so much overtly religious content would be evangelical in nature, yet The Killing of Satan simply uses that content as something upon which to hang an impressive array of unapologetically sleazy exploitation elements.
The most surprising thing about Tekken is how unawful it is. It is, as stated, incredibly generic and obvious. But that aside, it executes the formula well enough, and there seems to have been some actual effort put into making it.
Street Fighter is best known for being the final film of well respected, Academy Award winning actor Raul Julia, whose final gift to society was himself in a red leather fascist get-up, cackling and flying around and shooting lightning out of his hands.
There’s a knockabout charm to Cyborg, a laid back amiability — provided a movie about post-apocalyptic crucifixions, plagues, and misery can be called amiable.
What pushes this into my good graces is the fact that Van Damme is still trying, perhaps even harder than when he was at the top of the game, to make quality films