Dracula, Sovereign of the Damned
Drac’s dialogue was choice, and the comic was full of half-naked vampire chicks, crossbows, cane swords, reanimated corpses, and bikers in furry lambswool vests and droopy mustaches
Drac’s dialogue was choice, and the comic was full of half-naked vampire chicks, crossbows, cane swords, reanimated corpses, and bikers in furry lambswool vests and droopy mustaches
A movie that awkwardly tapes together a turgid underworld drama with a movie in which a laughing Caucasian thug and a Taoist priest use gyonshi to battle a dude who sometimes, for no reason that is ever explained, transforms into a space-helmeted, silver foil clad “Futuristic Warrior.” Oh, and also sometimes…ninjas!
Mattei departed this mortal coil via a film that is the perfect summation of everything he ever contributed to the world of cinema
It turns out that no magical incantation or talisman was needed to defeat these particular mummies, but instead just a couple of supermodels hurling sticks of dynamite.
Lifeforce mixes everything into a completely loopy sci-fi horror tale featuring a perpetually nude female lead and an exploding Patrick Stewart. It’s overdue for a little love.
It’s better than the micro-budget horror coming out of the United States or Japan, but that’s not setting the bar very high. Worth watching if you are a zombie film completist, but that’s about it
It seems like Japan makes about five zombie movies a week, each one more half-assed than the last. When Italy and the United States lost interest in the zombie film, Japan decided to crank a few out.
Instead of Lovecraft, Beyond Re-Animator looks to Hammer horror films for inspiration. In particular, it’s mining the territory previously explored by Frankenstein Created Woman and, even more so, Frankenstein and the Monster from Hell
No matter how much I run Zombie Lake into the dirt, I can’t deny the enjoyment I got out of watching it. Its combination of schmaltzy sentimentality, surprisingly forthright sleaze, and apathetic horror movie pastiche really does add up to something fairly unique.
Wouldn’t your space zombies movie be a lot cooler if it was set in one of those 60s style all-white, sleekly designed spaceships? Imagine all the surfaces onto which you could dramatically splash blood. There’s a reason John Woo set the finale of Hard Boiled in a hospital, you know.